I’ve been raving about The Demtones ever since they first hired me to design a logo for them. We’re further down the road now and I wanted to show you a few photos I got during the videoshoot for “What you got to lose”. The video was shot and directed by MW visual media and parts of it, in a set dressed as a room where a grandma would feel at home.
I really dig the sound coming from these guys and it goes hand in hand with my passion for retro colorpalettes and designs. These images serve as social media content and pressimages.
Today the album “Allt som inte dödar” by Tony Rissla was released today. This is a homegrown, self-produced creative album and features guest artists such as Fredricoz Fredricoz, Carolina Särnefält and old-school rap-legend Dogge Doggelito (The Latin Kings).
My contribution to this album was the artwork, which was covered in this previous post. Curious about how it sounds? Give it a try here.
Yesterday I tried a new approach to facial lighting while shooting portraits. I wanted to bring out the beast in my model so I decided to give scissorlighting a shot, and I think it turned out great. This is not a standard approach when it comes to setting up your lights but in this case I think it worked quite well. For this technique you’ll need two sources of hard light, I used my 800W redheads. The photo was shot with a Canon 700D using the 50mm f1.8 lens (wide open) and a .3 ND filter.
The idea is to shine the light on the sides of the face, slightly from the back of your model. The model is placed in the center where the two lights cross. Here’s a sketch:
I shot my portraits in RAW so I had a lot of wiggle room in Photoshop. Which light setup is your favourite when lighting for portraits? Drop me a comment – I’d love to know.
Model Marcus Witold Piorkowski is a talented musician and filmmaker. You can check out his portfolio here and listen to his music on Spotify.
I’ve been doing some PR-videos for Mediatool for a while now and one of the videos I created was the following animation. The concept is quite simple and understandable, since Mediatool was created to help out advertisers and media-agencies and make their day-to-day work easier and more manageable.
“Mediatool gathers all of your marketing in one place. Use it to get a comprehensive overview of all your marketing activities, campaign plans, and yearly summaries in one place. Gone are the days of sharing excel spreadsheets.”
I begun making some sketches and after getting those approved I begun animating. There were tons of layers, split layers, duplicated layers, shape layers (you get the picture), and towards the end my project file looked like something that could have used a Mediatool for animators. Somebody should create that.
The tiny icons were animated separately and exported with an alpha-layer. These videos where animated further using wiggle and bounce expressions. The lines and circles which reach out and grab the platforms are shapelayers using no fill and a stroke of 3px. I animated these using trim paths and I found this tutorial on animating lines in After Effects to be really helpful. After swapping icons and making changes here and there, we decided to give the animation a cinematic, bassy, transformersy-with-a-hint-of-organic-elements kind of sound. And here’s how it all turned out.
A while back I shot some photos for Magdalena Wolk who is currently in the process of rebranding herself. There are some really interesting tunes in the pipeline which will be released under the pseudonym Mags on earth. You can check out all my favourite shots in the portfoliosection found here.
All photos taken in Helsingborg, Sweden at some of my favourite spots.
Our latest animated project is an adaptation of the classic fairytale Jack and the beanstalk. The film is a part of a larger projectionmapping project in school and for our final showing it will be projected onto a miniature set which I built in my studio. We won’t be releasing the film just yet since we want to see if we can get it selected for the 2018 Pixel filmfestival, but I’ll be posting a video of our set and some of the projections soon. Until then I wanted to share the poster which I created for our film. You can follow the entire process on our instagram sketchbook found here.
Last weekend I spent my the entire saturday shooting a video for the local metal band Sins in vain. They were recording a cover song and wanted the process to be documented so at the beginning of 2018 I’ll hopefully be done with the editing. I also snapped some photos of the band and here are some portraits I took towards the end of the day. It was a simple setup against a noticeboard with a quick Rembrandtlighting using a 800w redhead.