Today the album “Allt som inte dödar” by Tony Rissla was released today. This is a homegrown, self-produced creative album and features guest artists such as Fredricoz Fredricoz, Carolina Särnefält and old-school rap-legend Dogge Doggelito (The Latin Kings).
Yesterday I tried a new approach to facial lighting while shooting portraits. I wanted to bring out the beast in my model so I decided to give scissorlighting a shot, and I think it turned out great. This is not a standard approach when it comes to setting up your lights but in this case I think it worked quite well. For this technique you’ll need two sources of hard light, I used my 800W redheads. The photo was shot with a Canon 700D using the 50mm f1.8 lens (wide open) and a .3 ND filter.
The idea is to shine the light on the sides of the face, slightly from the back of your model. The model is placed in the center where the two lights cross. Here’s a sketch:
I shot my portraits in RAW so I had a lot of wiggle room in Photoshop. Which light setup is your favourite when lighting for portraits? Drop me a comment – I’d love to know.
Our latest animated project is an adaptation of the classic fairytale Jack and the beanstalk. The film is a part of a larger projectionmapping project in school and for our final showing it will be projected onto a miniature set which I built in my studio. We won’t be releasing the film just yet since we want to see if we can get it selected for the 2018 Pixel filmfestival, but I’ll be posting a video of our set and some of the projections soon. Until then I wanted to share the poster which I created for our film. You can follow the entire process on our instagram sketchbook found here.
In yesterdays post “Filmmakers hardcase for less than $35” I mentioned that I might cover the interior with vintage comic book pages. I spent about an hour thinking about it in bed last night and as I woke up this morning I knew it was something I had to do. I think it turned out really nice, and besides adding uniqueness to my cases, it should also give the insides some extra stability once it dries up.
For this I used about two 1970’s Wild West-themed comics and some wallpaper paste.
When Amanda Nilsson and I got asked if we were interested in creating the intro video for this years Social Innovation Summit we knew right away that we’d be spending the next three weeks in a sleep deprived state if we’d take this one on. We said yes pretty much straight away of course. The summit is a massive happening, packed with awesome people and to top it all of SVT will be documenting the whole shebang. There wasn’t much time to begin with (isn’t that always the case?) and there was no room for the usual darkness and neck-twisting/breaking/crunching/snapping me and Amanda usually spice up our productions with. But still, we dove right in. Head first. Necks intact.
We were working alongside a few experimental media students who got the task of creating a sound, to let the guests know when intermissions at the summit are coming to an end (kind of like the tone between acts in a theatre). We managed to incorporate their sounds into the intro of our video in the hopes of making a smooth audio-visual transition at the actual summit. If nothing else, we’ve got a dreamy intro for the logos.
We had a look at the clients website(s) and found a lot of orange in there. After moodboarding and storyboarding a few loose ideas, we located the do’s, dont’s and definite no! no’s! and begun sketching up a timeline. We also extracted the key values for the summit and had a look at the different speakers attending the summit. Here we picked a mix of (ten) people based on age and visual appearances. We gave them all a neutral costume so that we wouldn’t accidentally offend anyone (the ice might be thinner than you think here) but gave each character an individual print on the shirt.
The scenes were composed in After Effects, and for most of them we used the AE 3D-camera so we had to build every component in each scene from scratch to make sure the resolution would be ok for the camera zooms. We used a lot of vector graphics and gave everything a vintage kind of feel using public domain images from the British library over at Flickr. This is an awesome, free resource, so make sure to check it out if you’re looking for some vintage hi-res book scans for your next project.
We rendered some of the objects in the scenes individually exporting them with the Alpha+RGB settings and also used some wiggle and bounce expressions to make the animations a bit more smoothe and playful. Here is a link to a document containing some of them. Feel free to download these and try ’em out. There are plenty of informative tutorials up on YouTube, so save yourself some time and start using expressions.
The film will premiere at the summit and I will post it here after. This was a great project to work on and although it was extremely time-consuming, I’m positive it will generate more of this type of work for us both. And more nights cut in half. No rest for the wicked.
Thanks for checking in! Have a good one.
One of the photos I took of my grandma during the #ArtstreetHbg festival earlier this summer ended up in print again. This time, in the cute little folder about Kulturveckan which kicks off in November. The theme will be “freedom”, and it’s kind of nice to have my grandma in there on page one since she grew up in what was eastern Germany for some time. In a way, this photo makes me feel like she finally got to stick it to the man, in a weird roundabout way. Graffiti and street art is all about freedom and bending of rules and conventions, so I think this photo was a good choice for representing freedom. And I’m happy for myself to of course. It’s always nice to see your photos end up in print.
During August 1-6 I spent most of my days and nights living in the spectacle called PASSAGE. Performing acts from all around the world took the streets of Helsingborg and Helsingör, and made them their stage for a week. I was hired to document the events in Helsingborg, put the footage on a drive and send it over to Denmark for editing.
So this is not an official video in any way – I made this for me. I got so many great shots (I have over 50 hours of material) and I couldn’t help myself from making a little montage with some of it. Recently I also got a hold of Red Giant’s Universe for After Effects and that comes with the most diverse VHS-plugin I’ve seen so far.
If you know me a bit, you know I love anything out of the 80’s. I grew up with VHS-casettes and I still remember editing my first movies with an old Panasonic camera and a VHS-player. It’s not for everyone, and some people might wonder why you would take perfectly fine images in vibrant colours, and drag it through the analog mud. Well, because it’s an art form, it’s nostalgia, and just as unexpected and glitchy as half-improvised acts on the streets. This is the Passage VHS montage.
Music used: Hogan Grip – “Stance gives you balance”
If you have any questions about the acts feel free to ask and I’ll point you in the right direction. And if you don’t like my montage – have a look at some cleaner photos from the event here.